6 One large source of intergenerational trauma for Black women may stem from a combination of their current systematic disenfranchisement in society, which subjects them to experiences of gendered racial micro- and macro aggressions and racial battle. For me, that starts with acknowledging my struggles instead of being. For Black women, intergenerational trauma is especially intense due to its convergence of racialized, gendered, and classed dis-privilege. Recent evidence-based research has suggested the impact of intergenerational trauma on both a biological and psychological level. Date JJuly was BIPOC Mental Health Month, bringing awareness to the unique struggles facing Black, Indigenous, and Peoples of Color (BIPOC), resulting from discrimination and inequality throughout America’s colonialist history. This book also reflects upon the links between the collective and personal psyches by laying emphasis on the ineluctable intertwining of national history and individual destiny. Intergenerational trauma can’t be undone, but it’s possible to break the cycle of behavior through education and action. Conjuring up questions of narratology and intertextuality, it highlights how working-through takes the form of a narrativization of this traumatic memory by diverse means. Black women holding identities from two marginalized groups are often faced with stereotypes such as the angry Black woman, the vixen, or the mammy. Consequently, racial trauma may accompany POCIfromthecradletothegrave.Forinstance,whenyouthof color suffer racial trauma, many experience an attack on their sense of self (Hardy, 2013). The intergenerational wounds of historical trauma and social inequality leave BIPOC with increased vulnerability to traumatic stress. This analysis of famous classics, as well as less-known books, demonstrates how black American women’s traumatic memory of slavery is inscribed in a transgenerational black female body. ran, 2006)can have intergenerational effects (Geter, 2018 Rensink, 2011). It explores the process of re(-)membering of the black female characters in these novels, and shows how these authors manage to both write the transgenerational trauma of slavery and write through it, enabling black American women’s voices to be heard. This book concentrates on six neo-slave narratives written by late 20th and early 21st century black American women: Octavia Butler’s Kindred, Phyllis Alesia Perry’s Stigmata and A Sunday in June, Gayl Jones’ Corregidora, Joan California Cooper’s Family, and Athena Lark’s Avenue of Palms.
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